Jordan took her newfound sense of clarity and calm to Durham, North Carolina, along with the bones of a new album. It was after this choice to take radical action that Valentine really took its unique shape. Since she was not allowed to bring her instruments or recording equipment, Jordan began tabulating the new album arrangements on paper solely out of memory and imagination. This 45-day interlude followed issues stemming from a young life colliding with sudden fame and success. It’s here that she mourns a lost love, conceding the true nature of a fleeting romantic tie-up and ultimately, referencing a stay in a recovery facility in Arizona. On “Ben Franklin”, the second single of the album, Jordan sings “Moved on, but nothing feels true / Sometimes I hate her just for not being you / Post rehab I’ve been feeling so small / I miss your attention, I wish I could call”.
On “Ben Franklin”, the second single of the album, Jordan sings “Moved on, but nothing feels true / Sometimes I hate her just for not being you. The reference points are broad and psychically stirring, while the lyrics build masterfully on the foundation set by Jordan’s first record to deliver a deeper understanding of heartbreak. In 10 songs, written over 2019-2020 by Jordan alone, we are taken on an adrenalizing odyssey of genuine originality in an era in which “indie” music has been reduced to gentle, homogenous pop composed mostly by ghost writers. Made with careful precision, Valentine shows an artist who has chosen to take her time. On Valentine, her sophomore album out November 5th on Matador, Lindsey solidifies and defines this trajectory in a blaze of glory. It was an impressive and unequivocal career-making moment for Jordan. The contradiction of confidence and vulnerability, power and delicacy, had the impact of a wrecking ball when put to tape. Her natural ability to be many things at once resonated with a lot of people.
Snail mail heat wave lyrics full#
“Heat Wave” is slyly devastating, obscuring its wounds with power pop melodies and ripping guitar passages, and its soul is in the details-Jordan’s voice crackles like a freshly lit cigarette, lingering on a breath of reverb as she asks that question we’ve all hurled at our heartbreakers: “What could ever be enough?” For now, Jordan’s exquisite pop songs will do just fine.On her 2018 debut album Lush, seventeen-year-old Lindsey Jordan sang “I’m in full control / I’m not lost / Even when it’s love / Even when it’s not”. “Heat wave, nothing to do/Woke up in my clothes having dreamt of you.” Jordan’s pared-down lyrics contain reels of imagery: A woman drifts through her dreams, waking up to the troubles she tried to drink away the night before. “I’m so tired of moving on/Spending every weekend so far gone,” she yowls in the song’s opening moments. This contrast of tart and sweet riffs give “Heat Wave” tension summer has lost its appeal, and even the sun has become oppressive. Jordan conjures socked-in August heat with the golden tones of her electric guitar, delivering glittering licks one minute and shredding down its fretboard the next. On “Heat Wave,” the second single from Snail Mail’s forthcoming debut, Lush, she writes an elegy to summer romance gone wrong.
The teenaged tour de force behind the indie rock project Snail Mail may not be old enough to buy booze, but her grasp of unrequited love stretches far beyond her years. There’s something so hopeless about being heartbroken in summertime, and Lindsey Jordan knows this well.
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